Today, each scrunchie is named after a role model or someone special in Mya’s life, and they are the perfect #wfh accessory to brighten your day. From Country to Couture highlighted how the success of the textile design movement in remote Indigenous communities has shaped high-end fashion in … Alexandra Crosby, Jason De Santolo, and Treena Clark do not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment. From Country to Couture highlighted how the success of the textile design movement in remote Indigenous communities has shaped high-end fashion in Australia.

Welcome to Elle Canada, the fashion magazine covering fashion, style, beauty and guidance for fashion savvy Canadians. Broadcasted live via NITV’s social media and hosted by The Point anchor, Rachael Hocking, the NIFA showcased collections and designs from Australia’s leading and emerging designers and artists. Founder: Gabriel FreyLineage: Passamaquoddy from Sipayik (Wabanaki Confederacy). This is immensely wearable jewelry that turns heads and makes a point. Indigenous artists have historically been excluded from mainstream commerce and denied retail visibility, even as their unbeatable craftsmanship has been copied and fetishized relentlessly. Online Runway Presentations: 7pm nightly, FREE

This year’s creative director of the event was Grace Lillian Lee, whose own designs are in major collections including the Museum of Applied Arts and Sciences (Sydney). She boasts serious weaving heritage on her mother’s side and learned how to weave traditional textile from her mother and sister. Identifiable by their contrasting colorways and. The Northern Land Council is proud to sponsor this award category.

Congratulations to the NIFA 2020 Winners! Founder: Hollis ChittoLineage: Mississippi Choctaw, Laguna Pueblo, Isleta Pueblo. –Photo by Linda Roy.

Wear them with a plain black or white tee and you’re set.

The Fashion Design Award recognises a commercial fashion label who has produced  a minimum of two collections of original design of clothing, jewellery or accessories. November 26 – 29, 2020 Julie Shaw. Artist: Kaiela Arts Shepparton.

Ay Lelum – The Good House of Design A Gabriel Frey basket is an investment and a cultural keepsake.

The repeating patterns in variations of black and white infused selectively with pops of bright, earthy color are especially lovely.

Emery’s poetic pieces remind us that nature is the ultimate adornment.

Ahlazua (ah-la-zu-wa) offers startlingly beautiful pieces in sterling silver and mother of pearl. Her bright, festive pieces need no occasion. This Award is proudly sponsored by the Northern Territory Government, who see art and culture as absolutely integral to the social and economic wellbeing of remote communities.

IFWTO is led by majority Indigenous women, offering audiences an authentic, accessible opportunity to connect with Indigenous … Thank you to our Media Partners, NITV and marie claire! Black-Owned Haircare Products That Black Hairstylists Swear By, Register to vote and apply for an absentee ballot today, An essential daily guide to achieving the good life, Ortiz’s beadwork is so implausibly refined that you’d be forgiven for thinking you were looking at printed fabric. Proudly brought to you by the Darwin Aboriginal Art Fair Foundation and sponsored by the Northern Territory Government, the NIFA recognises and celebrates the innovation, diversity and ethical practices of Aboriginal and Torres Strait Islander artists and fashion designers. She boasts serious weaving heritage on her mother’s side and learned how to weave traditional textile from her mother and sister. Brightly coloured fabrics were the result, with unusual combinations of motifs. Founder: Tashina Lee EmeryLineage: Ojibwa of Keweenaw Bay. Julie spent time collaborating with Mary, Evonne, and Margaret in Ramingining, learning their traditions, stories and cultural practices.

That sense of wonder and discovery communicates beautifully in his work. The Regional Indigenous Fashion and Textiles Showcase [RIFTS] is a sustainable Indigenous event that showcases and provides opportunities for Indigenous fashionistas, designers, and models from throughout regional Queensland. Margaret Jacobs

Frey personally locates, harvests and hand-dyes weave-worthy wood; he selects only the best leather and hardware. Lesley Hampton

Fashion has always been collaborative. Dickson was so determined to learn traditional sewing that she forced her way into local grannies’ and aunties’ sewing circles. The Award is proudly sponsored by the Northern Territory Government, who acknowledges and celebrates those who have contributed to the evolution and journey of Aboriginal and Torres Strait Islander textiles and design, spreading it globally ensuring that it continues to grow and develop and providing new avenues for jobs and economic prosperity for Aboriginal people. These businesses deserve first right of access to your wallet.

It’s no secret that we have got some talented people out there doing amazing things. Her polished machine-knit creations (all hand-loomed, all wool) subtly reference her roots yet are aesthetically secular. IFWTO is a fashion, craft & textiles festival presenting the most distinct and progressive Indigenous-made works.

We are not an Aboriginal-owned business.

As she comes from mixed heritage, her work outside the knitting studio has mostly been about processing the fraught identity question and challenging the colonial invalidation of Native experiences. Fabric sales from our upholstery collection generate substantial income for our remote artists and allow NORTH to grow and develop. The inaugural event saw 33 First Nations fashion creatives nominated from across the country, and awarded winners across six unique categories.

Last month, the first Indigenous Fashion Week Toronto showcased and celebrated the work of Indigenous creators working across fashion, textiles and crafts. Perkins is a true design polymath; she is also a formidable beadwork artist. Wear these with just about any outfit for instant oomph. His functional, sophisticated pieces go surprisingly well with city living. Her accessible stylings challenge the idea that Native sensibilities can’t go mainstream. Our first ever collection! Led by majority Indigenous women, IFWTO connects audiences to artistic and cultural expression that celebrates and advances Indigenous artists and designers .

Indi City Thank you to all our Industry and Award partners and we look forward to sharing more from Indigenous Fashion Projects soon! IFWTO presents Indigenous-made fashion, textiles and craft. Their vision, combined with Aubichon’s grasp of form and material, is why the brand’s dramatic laser-cut pieces are wildly popular. This award celebrates excellence and leadership in environmental and social development understanding, and practice in relation to textiles and fashion. Indigenous fashion challenges this focus on hero designers – many of whom are men in western society. The four programs feature: Day 1: Tu Gh’eh Nah (Water is Life) Invest in her work for the heirloom value alone. There is serenity and restraint to her design.

Invest in her work for the heirloom value alone. From Country to Couture was designed, coordinated, produced, curated and mobilised from wholly Indigenous standpoints. Ninti One will receive tickets to a major fashion summit of their choice and travel allowance of five thousand dollars.

Indigenous Fashion is about a new framing of self-determination. Photo by Bilums&Bilas.

The judges note that this collaboration is powerful because it demonstrates a process of cultural knowledge sharing.

Founder: Heather DicksonLineage: Tlingit from Carcross Tagish First Nation.

Identifiable by their contrasting colorways and formline detail, ancient textile patterns like Raven’s Tail and Naaxiin (Chilkat) come alive in her exquisite beadwork. Mahsi cho! Founder: Jamie GentryLineage: Da’naxda’xw of the Kwakwaka’wakw Nation.

Indigenous Fashion Week Toronto is a multi-platform festival of the most distinct and progressive Indigenous-made fashion, craft and textiles, challenging mainstream perceptions of Indigenous people and culture, which are often stereotyped, commodified or exploited.

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