From Dostoyevsky on, we think of our doubles being encountered in city streets. SS You’ve spoken of your sense of place in New York, located in a family. PL The middle way, yes, I like that idea. SS The Enlightenment is blamed for banishing the irrational in favor of the rational. Phillip Lopate body measurments, height, weight and age details. I don’t want to be called a psychologist, I’m a realist.” I remember at 18 years old thinking that if I ever became a writer, I wouldn’t mind if they called me a psychologist. This ocean of pedestrians has somewhat the same democratic promise that I think Whitman attributed to the crowd. It’s not anything that’s going to take over, it’s just to indicate that we’re not meant to be pure and perfect. And I think, Yeah, yeah, what’s so interesting about this? There’s a sense of either/or, all or nothing. I love Max Beerbohm. I think there’s a difference between writing to maintain a friendship and writing to seduce the reader. Montaigne said, “I’m the first one to really draw myself,” and Rousseau said, “How can he say that, because he doesn’t really spill the goods on himself!” So I’m closer to Montaigne. Phillip Lopate I do feel rooted in New York and am unapologetically pro–New York. So this has inspired in me a lingering resentment. The trope of self-invention is one that Americans are drawn to, but I myself feel that you can’t evade your parentage. PL It’s not an accident that the doppelgänger is a figure in urban literature. Phillip Lopate wiki ionformation include family relationships: spouse or partner (wife or husband); siblings; childen/kids; parents life. But I don’t think I’m a major writer. What feels like you’ve gotten to the heart of the matter, to something authentic? PL They want to put you in a trance. Annually, BOMB serves 1.5 million online readers––44% of whom are under 30 years of age––through its free and searchable archive and BOMB Daily, a virtual hub where a diverse cohort of artists and writers explore the creative process within a community of their peers and mentors. PL Well, possibly. PL Often I use the beginning to establish the tone. I wake up in the morning sometimes with a kind of impatient buzz or irritability or sense of anxiety or fear. Es liegen 0 Rezensionen und 0 Bewertungen aus Deutschland vor, Entdecken Sie jetzt alle Amazon Prime-Vorteile. Geben Sie es weiter, tauschen Sie es ein, © 1998-2020, Amazon.com, Inc. oder Tochtergesellschaften. BOMB’s founders—New York City artists and writers—decided to publish dialogues that reflected the way practitioners spoke about their work among themselves. But also it’s about what honesty looks like when writing about sex. If the soul and the ego were objects we could look at, the soul would be a translucent heart beating. by, Nadja Bournonville I’ve always been drawn to the psychological. PL Because New York is part of my subject matter. PL It’s much more temporally defined. SS When you started it was new and different and took a certain amount of—. I do think of an essay as a construction of suspense and tension. (laughter). But you can’t make a whole identity out of sexual preference. SS When you describe yourself as a New Yorker, you are not only talking about it as an urban center but also about your familiarity with the people. I needed to strike some deeper notes, approaching tragedy but not quite tragic, to say that suffering was part of my life, as well as everybody’s life. So I included the essay on my daughter’s illness, “The Lake of Suffering”—I didn’t want it all to be comic. I’m skeptical about the seamy. Is it my place to say it out loud? You see the friend for four or five hours and it’s wonderful and then you go off. I was friendly with Kenneth Koch when he was alive. PL They terrify students. In this essay, you reflect on a relationship with a woman who had a crush on you and was very sexy but was never sexually satisfied. PL Often they’re direct, though. They were working class, and didn’t even have much money, but they still went to therapy. PL It’s a good question, especially because Freud talks about the unconscious as something that we can never see about ourselves. My daughter once said to me, “Why do you want to go to the synagogue, you don’t even believe in God, Daddy!”. You’d only be aware of your limitations if you knew that you had that impulse. Basically that’s the foundation stone that the whole building is going to be built around. There’s a macho side to some American male writers: They want to fuck you. I’m intellectually skeptical of transcendence, of redemption, of all these words. Ihre zuletzt angesehenen Artikel und besonderen Empfehlungen. Geben Sie Ihre Mobiltelefonnummer ein, um die kostenfreie App zu beziehen. When I lived in places such as Houston or San Francisco, the people could be perfectly nice, but they were opaque to me. It takes so much instinctual knowledge to navigate a street in New York, especially a busy one. $7 Million Mini Biography. SS When you write about the limits of empathy it’s usually in relation to the loved one. You could confront it a little more clearly. PL Sometimes setting up a problem calmly is the best way of winning the reader’s trust. Probably my relationship to Judaism is similar in that I’m not really a practicing Jew, although occasionally I fall back into it for old time’s sake. In the essay “Osao,” in your first collection, Bachelorhood, you wrote, “I was acting out the fantasy drama so dear to my own life of what would happen if people had the courage to tell the truth.”. To some degree, it’s a mischievous sound. Wiederholen Sie die Anforderung später noch einmal. They were both vying for the same crown. Often when I’m teaching … Believe me, teaching and writing are two processes that are incredibly intertwined in my mind—half the time I think I’m a writer and the other half I think I’m a teacher. Born in 1943, I entered Columbia as an undergraduate in 1960, graduated in 1964, and was influenced unsystematically by that period’s anti-Establishment attitudes. Featuring interviews with Hope Gangloff, Richard Thompson, Matías Piñeiro, Joanne Greenbaum, Gyula Kosice, Fiona Maazel, Phillip Lopate, Abraham Cruzbillegas, and David Grubbs. It’s just a fantasy perhaps, but I think I’m one of many here. Stöbern Sie jetzt durch unsere Auswahl beliebter Bücher aus verschiedenen Genres wie Krimi, Thriller, historische Romane oder Liebesromane. PL Yes, I try to push them to emotional clarity. Again and again I feel that if this student would just be more honest, the structure would fall into place. Phillip reinvented the essay for all of us, showing us the best features of that tradition combined with what Atwan has called a talent for “comic yet astute details.”, Phillip’s exuberance and generosity as a teacher had been on display the day before our conversation, during a daylong conference on the essay that he organized at Columbia University, where he is a professor and director of the graduate program in nonfiction. I often assign stories from it in my workshops and have been waiting for an opportunity to teach the whole collection. I’ve never felt needy enough to change my whole life around for the loved one. Phillip Lopate: This is my nest, my aerie. So that’s my tribe and it has a certain sound. Hope Gangloff These two stories are quite different from each other. I can see my father and my mother in me—they’ll never go away. PL Magazines dedicated to the new literature are always reviewing novels about sexual transgression or something that feels a little kinky. One of my favorite books of short fiction from the last few years is Sam Lipsyte’s The Fun Parts. I mark it up. This is something that I’ve striven for: to be accessible but also to have enough texture in the vocabulary, in the syntax, to ensure variety and pleasure. By which I mean that the “common reader,” as Virginia Woolf put it, could pick up a book of mine and understand the individual pieces. There’s something almost overly hopeful about thinking that you’ll make one choice or figure out one thing about yourself that will solve your problem of identity. Some writers are Don Juans—. 6 Personen fanden diese Informationen hilfreich. November 2008. Notes I hope that I’m writing in a comic tradition. There are so many layers. Both are facile and trivial and uninspired. SS This is a historical moment of particularly extreme religious beliefs. PL I’m always looking for the unexpected and trying to go against the grain somehow. The last time I visited him, he showed me Morris Dickstein’s laudatory review, in that week’s New York Times Book Review, of his two new books (his 17th and 18th as sole author—To Show and To Tell: The Craft of Literary Nonfiction and Portrait Inside My Head). SS One of the pleasures of reading your work is that you have an unusual emotional precision. Collections by people like Mary McCarthy and Leslie Fiedler included theater criticism and some book reviews with the idea that if you’re interested in how the essayist’s mind works, you’ll be interested in these other things. And yet I go through life still aware that the aperture is open to some degree. SS One thing that jumps out in your work is the value of honesty. Phillip Lopate is the author of three personal essay collections, two novels, two poetry collections, a memoir of his teaching experiences, and a collection of his movie criticism. What is he trying to figure out here? You don’t have to hang in there for all the questions of are you snoring or is she snoring? PL How’s he going to figure it out? When you reach a point where you can laugh at yourself and at the world, then you know you’re walking in the truth.

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