An allegory for upper-crust privilege and masculine arrogance – intensified by a hypnotizing score by Krzysztof Komeda – ‘Knife in the Water’ landed on the cover of Time magazine (‘Cinema as an International Art’) and scored an Oscar nomination, launching Polanski’s career in earnest.–Tomris Laffly.

Darren Aronofsky’s lurid psychological horror film delves into the compellingly creepy idea of doppelgangers, via committed performances from Natalie Portman and Mila Kunis, who push the backstage maneuvering to dizzying extremes.–Abbey Bender. Director: 523,274 Outside of fairy tales and erotic thrillers, truly maniacal female villains like Annie Wilkes (Kathy Bates) – ‘Misery’s unhinged fangirl turned torturer – are sadly in short supply. But as it skitters toward that epic denouement, you can only marvel at the elemental power Mann conjures from his simple story of cop (Al Pacino) and robber (Robert De Niro). Stars: On top of a list of brilliantly twisted European thrillers that got really bad Hollywood remakes (‘Diabolique’, ‘Open Your Eyes’, etc. The result is witty, strange and endlessly fascinating. | This Raymond Chandler adaptation may be best known for being almost impossible to follow, but that doesn’t make it any less potent. Set in French West Africa in the 1930, Bertrand Tavernier’s story of a bumbling, humiliated police chief (Philippe Noiret) who turns murderous offers a caustic look at colonialism and masculinity. Josh Brolin, As entertaining as that movie is, the Hong Kong original is even better. Bree is a fascinating mix of liberated yet vulnerable ’70s womanhood and the film is filled with paranoia and corruption. Easy Money (2010) In the wake of the Joseph McCarthy hearings, filmmakers knew they had just as much to fear from their own government as they did from some shady foreign power. 129 min A stairwell pursuit leads to one of Richard Kimble's cleverest escapes. You know the plot, because Martin Scorsese used it for his Oscar-winning remake, ‘The Departed’. Sometimes a thriller is something with real visceral scares that borderlines on horror, while other thrillers can take elements of science fiction, biographical stories, action, and comedy to create unique subgenres. Not Rated | 138 min | Crime, Drama, Romance $25.54M, R A nifty merger of noir and Western, Granik’s film becomes terrifying as Ree’s survival options dry up.–Tomris Laffly. Mystery, Thriller. It’s only in the past two decades that we’ve been able to appreciate this masterpiece nearly as its creator intended. The killer moment: Overtaken by desire and the alluring singing of ‘Fiorin Fiorello’, a guy about to make a bad choice enters a bar’s back room and seals his fate. Often regarded as cinema’s greatest achievement, ‘Vertigo’ presents the peak of Hitchcock’s psychosexual fixations in gloriously shot Technicolor. Brian De Palma burnishes his Hitchcock fixation to a high sheen in this supremely confident New York City-set thriller, which features something of a surrogate character for the director himself: a teenage tech whiz (Keith Gordon) obsessed with cameras and spying devices who's bent on avenging the unsolved murder of his glamorous mother (Angie Dickinson). The killer moment: It's one of De Palma's purest sequences of total craft: a wordless flirtation between two strangers at the Metropolitan Museum of Art (actually shot in Philly) that becomes a missed connection, a painful rejection, then a chase. The killer moment: Benicio del Toro’s avenging cartel man sits down to a very short dinner with a drug lord and his family. Das Drehbuch dieses beinahe zurückhaltend und dennoch packend inszenierten Thrillers ist von einer derartigen Raffinesse, dass selbst passionierte Krimifans immer wieder überrascht sein werden: Ein Polizist hat offenbar seine Geliebte umgebracht. Gabriel Byrne, | Gross: Mabuse’ film came nearly 30 years after ‘The Testament of Dr. Mabuse’ and more than four decades after the malevolent medic unleashed his first foul scheme in ‘Dr. One river. Two men meet, entirely by chance. Director: It’s an eloquent, ominous depiction of the threat she faces.

Moreau makes wandering aimlessly thrilling, as she walks the Paris streets at night, calling her lover’s name in a moody, doomed funk. Jose Coronado, With such over-the-top delirium, who could ever think of ballet as prissy? Esquire participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. „Get Out“-Regisseur Jordan Peele bereitet einen neuen Alptraum vor, in dem zwei Paare auf ihre perfekten und brutalen Doppelgänger treffen. Ben Wheatley’s DIY debut ‘Down Terrace’ was a blast, but nothing could have prepared us for his second feature. Leonardo DiCaprio, Crime, Drama, Romance.
The killer moment: In a sweltering office filled with the sound of crickets, the gun goes off. | Gross: But for all the movie's substance, it took a rascally Jack Nicholson, an absorbingly skittish Faye Dunaway, a fearsome John Huston and Polanski himself (working at the peak of his powers) to sock it over on audiences. Woody Harrelson, Votes: For all its acclaim, ‘The Fugitive’ is still underrated: it's as definitive a Chicago picture as they come (and we're talking a bruising Windy City winter); it contains a brilliantly cranky depiction of dogged investigation in Tommy Lee Jones's Gerard; and it turns the whole of moviemaking into an expertly calibrated double chase. So it’s a testament to the craftsmanship of writer-director Christopher Nolan that the film wasn’t just a solid hit, but launched one of the most successful filmmaking careers in contemporary Hollywood.

Stars: Deliriously nuts and a treat for fans of the double cross, Gillian Flynn's 2012 bestseller found the ideal adapting filmmaker in David Fincher, whose doomy way with a thriller proved a ruse in itself. Director:

But ugh, bad news: This one isn't available to stream quite yet. Set in a troubled America that hides an undercurrent of violence under its skin, Jonathan Demme’s taut serial-killer procedural borders on Grand Guignol horror. Set in Rio right after the war, ‘Notorious’ is all glamour on the surface, as Bergman and Grant swan through a selection of spectacular aristocratic mansions. No’ explodes out of the chamber with casual Rat Pack insouciance, brutal action and Ursula Andress in a bikini. Set in French West Africa in the 1930, Bertrand Tavernier’s story of a bumbling, humiliated police chief (Philippe Noiret) who turns murderous offers a caustic look at colonialism and masculinity. $0.19M, R Two young women, Iya and Masha, set out to try to rebuild their lives among the ruins. At least until she realises that he’s actually a cold-blooded murderer. heist! Andrew Kevin Walker's script contrasts theoretical bookishness with impulsive action, but Fincher's genius is to show those modes for what they really are: survival strategies that only get you so far. The noose tightens around Nick (Ben Affleck, impressively shifty), a bar owner and former hot-shot journalist whose wife, Amy (Rosamund Pike, revelatory), a minor celebrity, has disappeared from their Missouri home.–Joshua Rothkopf.

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