Gee, I think she did from the beginning.

So that’s where the universities said, “Whoa — it’s one thing with radio, but now you’re asking us for ten times that for educational TV.”. Get current address, cell phone number, email address, relatives, friends and a lot more. Read this shockingly prescient 1970 mission statement for the precursor to NPR’s ‘Fresh Air’. Meanwhile I’d gone over to Slovakia to work for OSI on radio, so one thing led to another. In some cases the local media coordinator may say, “Gee, we have a need that’s beyond our local foundation.” So that’s when our program comes in.

Sometimes advanced technologies and institutions from more-developed societies are being plunked into these less-developed countries. Copyright 2020. That is one of the challenges. When I was at WBFO in Buffalo, we had established a storefront broadcast center in a black community. [Siemering perks up.] In Mongolia, and in most other countries, there’s a for-profit side, and that’s all they care about, and that’s why there’s this information vacuum, particularly in these countries. It’s a matter of geography in Mongolia, where they’re isolated, or it’s a matter of literacy, or the people not having enough money to buy newspapers, as in the Ukraine. You clean everything up in your home and get ready for the New Year. It was not in the least surprising that his daughter should choose the religious life for service to the least fortunate.

And television, of course, took a lot more money than radio. Bill Siemering: It’s wonderful to be able to see how the original vision that a lot of us had — it wasn’t just mine — has become a reality. And a lot of stations weren’t up to speed to produce good, quality material. In 1970 he drafted the “National Public Radio Purposes” memo that summarized what the network and its flagship program were to become. I believe you honor your prize by naming Bill as a recipient. I’ve always felt there’s an opportunity to do more produced pieces. Parallel to that and part of the liberation struggle was the idea of community radio, and how it would work on a local level. After his time at NPR, and then at Minnesota Public Radio, Bill came to Philadelphia in 1978 to manage WHYY, where he led the effort to transform a local three hour program called, former Vice President of CPB, Corporation for, I learned about the life and career of Bill Siemering so I could introduce him as the recipient. It’s a network of the national foundations. It wouldn’t take much.

They’re all good journalists.”, There was this idea that women’s voices didn’t work on FM because they had high frequencies. William H. Siemering is one of public broadcasting’s great starters. I told Glenn Holsten from WHYY, who was going over to lead some video training, that you just have to trust things. He said NPR’s listeners identify with the network, the way New Yorker readers used to with the magazine. We’ve worked our way across remote areas of Malawi dodging goats and cows, ridden in SUV’s with bald tires in Rwanda and wondered if a crippled bus would get us where we needed to go in Cameroon. And the stations really understood that. So there’s an incredible information vacuum that needs to be filled, and that’s what these stations we’re working with are trying to do. Required fields are marked *. I told them about ways of raising money, including corporate underwriting. So I don’t feel I was borrowing from that. It was 40 years ago that McLuhan talked about a global village, and, for the most part, it’s bunkum.

You trust this. There are some weekly papers that are quite feisty and independent, but they’re not national. You could exchange audio files and develop sister-station relationships with stations in Mongolia or Sierra Leone or Kosovo. It was a strong statement. His knowledge enhanced my work in Indonesia for a Democracy-building project. As we used to say with Soundprint, it’s “photojournalism for the ear,” and the idea is to bring stories to life, and to get out of the studio, so it’s not so sterile. Many were asking, “Who are these presenters? His practical application came as a programmer of public radio and exemplified by NPR’s All Things Considered and Soundprint, a national weekly documentary series, which earned 25 national and international awards. I have no doubt he will continue his service until his human body can no longer function. I asked what the station was getting in exchange for underwriting, and the manager said, “For that, we broadcast the names of tenants who are behind in their rent!” I thought, well, that’s a creative solution to the problem! They have nothing to do with politics, but I think listeners could connect with them. The police were tear-gassing our building, the student union, and the media were reporting on the damage to buildings and to their own news cruisers. This wasn’t some theoretical thing — it was a very deeply felt experience. That station happened to evolve out of a health clinic. Current (https://current.org/2001/05/bill-siemering-reflects-on-launching-atc-lessons-from-international-radio-work/). We were doing the same kind of thing for the black community that we did with our general audience — mirroring cultural values, celebrating music and providing information that’s important to the people. I also did a series of programs with the Iroquois Confederacy called Nation Within a Nation. For example, at one station in Mongolia I told them about listener support and contributions. Notify me of follow-up comments by email. I was interested in the challenge of trying to reach a black urban audience with a university station, and I think we did quite well. So the stations quickly moved away from the free-speech idea, if any of them had it in the first place.

I liked that. Find William Siemering for free! She lived with a role model who understands the power of one and the need to be that “one.”. And so the very first institution to change there was the board of directors of the SABC, and these journalists wanted to learn about public radio and how it works here. Built with the Largo WordPress Theme from the Institute for Nonprofit News.

It means that whatever you’re doing, you ought to be doing at that time. This site should not be used to make decisions about employment, tenant screening, or any purpose covered by the FCRA.The records were matched using first and last name only. That’s impressively direct.

Later, he developed ‘Fresh Air with Terry Gross’ from a local to a national program. We originated 25 hours a week from that storefront studio, essentially the whole weekend. It is important to consider the historical context out of which this came. So we didn’t get them dependent upon a donor. Has anyone taken you up on that idea of sister stations? Or, they’ve had a terrible winter there — how did they get through it? All rights reserved. In a previously unpublished grant application, NPR founding father Bill Siemering proposed a show on WBFO in Buffalo, N.Y., “growing out of the need for cross-cultural communication and capitalizing on the unique characteristics of public radio.”, Your email address will not be published. After a decades-long career in public radio, Siemering embarked on a second career of nurturing independent radio in the developing world. Bill Siemering's Reputation Profile. There was a lot of education about election coverage — how you do radio journalism for elections, giving equal time to candidates and that kind of thing. And because radio is a personal medium, I think there’s potential. At the University of Wisconsin, WHA was doing in-school broadcasts — that’s where a lot of the money came from. We come in and say, OK, we could help with this. He signed NPR’s founding papers and became its first program director. That was my first experience overseas doing this kind of work.

It may be a Buddhist quality. Everything just worked out fine. It is a good comparison because the New Yorker has investigative pieces, humor, fiction and poetry, all in one magazine, and it’s very comfortable being all those things. Sound is just a way of telling a story more effectively. Did you have to work through preconceived notions about the places you started visiting? And the tape wasn’t in the control room when we started the program. Why are people in the street?” Martin Luther King said “We write our essays in the street,” and they were really forced to do that. Cleve Mathews was the first news director and came from the New York Times. Bill Siemering Awarded the 2018 Jessie McCanse Award For Individual Contribution to Media Literacy On May 23rd, 2018, NTC presented Bill Siemering with the Jessie McCanse Award for his groundbreaking contribution to the field of media literacy.

There are enough small businesses that will advertise. So they say there’s a need for a third way, public service radio. He has the natural ability to be one with people, empathizing with them and opening his self to their needs and interests. Part of their philosophy might be fate, or destiny. How does the government work? Jack Mitchell was the first producer of ATC, and he deserves more credit for shaping the program. You’ve got a block of time, and people can identify with it. Wasn’t your staff a tiny fraction of its size now? His humility is self-evident and his service is self-sacrificing. Let me get out of here!” But I just smiled and said, it’s going to be fine. Bill is best known for his thoughtful and enduring vision for National Public Radio and its wonderful programs – such as All Things Considered and Fresh Air with Terry Gross. So it was natural for them to then expand that idea and think about the overall cultural health of the community, its educational health.

Certainly my experiences in Buffalo informed that statement. Oh yes. For all his accomplishments, and his stature as one of the most revered figures in public radio, Bill is extraordinarily modest. They need to know how to start a small business. I was keenly aware of this sharp division, and that’s why the first summer I was there I just walked through the black community and talked to people about what they would like on radio. That would have made them feel quite comfortable. I grew up outside of Madison, almost within the shadow of the WHA transmitter. But there were a number of other public stations that were doing similar magazine-format programs, like Kaleidoscope at WAMU with Susan Stamberg. But you have to do that with some consistency. That’s why you make the programming as exciting and interesting as you can, with the best reporting and the best writing and production — so that it does embrace a large audience. We did. He’s a friend, a colleague and a mentor who continues to touch lives – one listener at a time. The Tuscarora Reservation was in Niagara Falls, and I did a series of interviews with them — again, another group that was misunderstood, or not thought of at all. Generally not as much, simply because in the countries where we work, radio is the primary medium for various reasons. After Martin Luther King was killed, and after the riots — that was when you began to split the schedule at WBFO? So I talked to groups about those two different strands. But we were radicals for the medium of radio. I learned about the life and career of Bill Siemering so I could introduce him as the recipient His scholarship earned him degrees in Education, appropriately so.

In the ’60s, community radio stations formed. The media they are working with are making a significant difference in people’s lives. What do you face as you try to instill journalistic ethics? Most are in their 20s and early 30s and have innovative ideas. They wrestle with some of the toughest issues imaginable — peace and reconciliation, massive corruption, poor economies, building a democracy and a market economy at the same time.

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