death and the king's horseman themes


Pilkings and Elesin clashed when Pilkings helped the Elesin’s son get into medical school in England.

He further makes the point that a director must not make Pilkings into “the victim of a cruel dilemma.” Throughout the play Pilkings quite clearly has a bureaucratic mentality and is blinded by British prejudices and sycophantic concerns. It means dying for his people, and dying in the appropriate fashion. Simon simply cannot grasp it. The entire ritual is concerned with the passage from one state into anther, and Elesin's great failure is that he cannot properly make that journey. GradeSaver, 30 May 2015 Web. This foreshadowed in the conversation regarding self-sacrifice between Olunde and Jane, who have very different ideas about the nature of this act. Our, LitCharts assigns a color and icon to each theme in. The dead are not forgotten; the ancestors are honored and cherished as guides and companions. As Iyaloja states, his trudging through the excrement of the King’s horse in the transition passage is still the act of a man within a meaningful metaphysic. They can tell stories, induce trances and meditation and reverie, bring about transformation and change, and overall, demonstrate great power and importance. In Wole Soyinka’s play Death and the King’s Horseman, Elesin is certainly a tragic figure. Although it does not play as major a role as the other themes, gender nevertheless is an important component of the text. Death and the King's Horseman essays are academic essays for citation. LitCharts assigns a color and icon to each theme in Death and the King’s Horseman, which you can use to track the themes throughout the work. Finally, however, his son’s death makes him admit his weakness, and he attempts to recover something of his dignity when it may be too late. On the one hand, the women and girls of the marketplace, particularly Iyaloja, seem to have a great deal of power: their voices are loud and forceful. Though the play…, In the introduction to the play, Soyinka says outright that it's inappropriate and reductive to consider Death and the King's Horseman only as a play about a "clash of cultures" and the role of colonialism in Nigeria. For those of the Yoruba ritual, death is merely another state in which one can exist, and are cycles interwoven with each other.

Things become complicated, however, when the Englishman Simon Pilkings, the…, While Death and the King's Horseman isn't overtly about relationships between men and women, observing the way that all the play's women act and are treated by the men around them offers extensive insight into how women function in Yoruba society and English colonial society alike.

The Europeans also have music and dance, but they do not possess the same influence. Elesin’s... Start your 48-hour free trial to unlock this Death and the King's Horseman study guide and get instant access to the following: You'll also get access to more than 30,000 additional guides and 300,000 Homework Help questions answered by our experts. The action of Death and the King's Horseman begins a month after the king's death. When Elesin is prevented from carrying it out, their world seems pushed off its axis; their traditions and beliefs are deeply wounded. In the introduction to the play, Soyinka says outright that it's inappropriate and reductive to consider Death and the King's Horseman only as a play about a "clash of cultures" and the role of colonialism in Nigeria. The hero does so in performance of his duty. These papers were written primarily by students and provide critical analysis of the play Death and the King's Horseman by Wole Soyinka.

Life and death, and the relationship between the two, permeate the text. European imperialism/colonialism is ever-present in the text, lurking heavily in the background of all the events. My students love how organized the handouts are and enjoy tracking the themes as a class.”, LitCharts uses cookies to personalize our services. Per Yoruba religious tradition, Elesin, the titular horseman (a title that signifies that he's in service to the king and shares many of the same rights and perks, but without the same responsibilities), must commit ritual suicide so that he can accompany the king to the afterlife. He wears the egungun costume, sacred to the Yoruba, to a fancy-dress ball, in the face of clear evidence that he is being offensive-even Amusa, a Muslim, and Joseph, a Christian, find his wearing of the costume repugnant. The central ritual of the text -- the king's horseman dying so he can join his master in the afterlife -- is a fascinating component of Yoruba society, but also functions here as a dying country's last gasp in the face of colonial control and oppression. Teach your students to analyze literature like LitCharts does. The Europeans are also concerned with life and death, but their perspective on it is different: life is sacred, death is frightening and has no greater significance other than it must come eventually -- but through God's timing, not man's. If this play is a question of failure, it is important to be very clear about who precisely is to be blamed. Essential Quotes by Character: Elesin Oba, Why I'm No Longer Talking to White People About Race. She does not hesitate to offer her opinion; however, Pilkings's responses to such utterances are telling. He is a distinguished person who falls into misfortune on account of hamartia or a tragic flaw. In both cultures, women are treated as keepers of culture and as the interpreters of their own cultures for others, suggesting that while women in the play may not…, Death and the King's Horseman is extremely interested in exploring what it means to be dutiful and honorable—to oneself, to one's people, and to one's spiritual beliefs. He often puts her down and yells at her, revealing his misogyny.

Life Cycle Like many African cultures, the Yoruba have a fundamental belief that life is a continuum. The most highly charged moments in the life cycle are the moments of transition from one type of existence to the next that is, the passage into the physical world during birth and the passage into death. However, the Bride is completely mute and is more or less an object that is given to Elesin to appease him. The potency of the Yoruba metaphysic is visible even in Amusa, who has converted to Islam. Copyright © 1999 - 2020 GradeSaver LLC.

Our summaries and analyses are written by experts, and your questions are answered by real teachers. He believes he is doing something positive by preventing this ritual; he is saving Elesin's life as well as not allowing the colony to remain uncivilized. There can be no “clash” of cultures when one culture does not even comprehend the other. Not affiliated with Harvard College. Music, dance, and poetry are featured throughout the text. The Question and Answer section for Death and the King’s Horseman is a great Its main inadequacy is that it “presupposes a potential equality in every given situation of the alien culture and the indigenous, on the actual soil of the latter.” Soyinka insists that this play cannot fit into that category.

They're like having in-class notes for every discussion!”, “This is absolutely THE best teacher resource I have ever purchased.

Elesin's duty is to perform the sacred ritual that he was meant to. Jane may be loud, as Elesin notes, but that is where her voice stops. Soyinka’s application of tragic events looms large the theme of Death and the King’s Horseman that is condemning and disparaging the European colonizer.
Elesin is the King’s Horseman in a small tribe in Nigeria during Word War II. When his father fails to carry out the suicide, he performs the act himself. Sacrifice is a central component of the ritual. Soyinka makes the point in his introductory note to the play that the “clash of cultures” tag has become a catchall for African literature. Works cited
The final scene reinforces what the play has been about-not a clash of cultures but the inadequacy of one culture to judge another. Soyinka has several things to say about gender. The one cannot defeat the other when it is clearly inferior. © 2020 eNotes.com, Inc. All Rights Reserved. LitCharts Teacher Editions. Elesin’s son Olunde has spent years in England studying medicine, but he returns to Nigeria when he hears of the King’s death, and he approves of his father’s traditional role. Struggling with distance learning? Simon Pilkings, in a weak, frustrating attempt to restore Elesin to life after Elesin has willed his own sacrificial death, reveals the pitiful helplessness of a mere public servant trying to control a cosmic event. The English presence in Nigeria is by now well established, but is still rife with instability and conflict.

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