la wally synopsis

Fernandez, an established singer, performed her own vocals. The anger she felt has now subsided and she wishes she could take back her words. Wally stands for a moment on the edge of the precipice before hurling herself down to her death. She gets her "Geier" (vulture) epithet from once stealing a vulture's hatchling from her nest. La Wally is evidence of the various movements that influenced Italian lyric art in the second half of the 19th century. The lovers are reconciled and Hagenbach goes to find a safe path back down the mountain. Hagenbach, who goes off to find the way back to the village, is swept away in an avalanche. The village of Hochstoff The landowner Stromminger is celebrating his 70th birthday. Libretto List |

Chorus: Tyroleans, shepherds, peasants, hunters, old women, village children. At that moment there is a knock at her door. Gellner informs Stromminger that his daughter loves Hagenbach. This page was last edited on 26 September 2020, at 03:32.

However, a snow storm has begun. Symptomatic of this desire to break with the heroic model magnificently exploited by Verdi, the libretto is imbued with a German-inspired intimist neo-romantic atmosphere, as demonstrated by the novelistic situations ending in sentimental scenes likely to touch the audience’s sensitivities, the exaltation of nature through the grandiose mountain setting, and a concern for “local colour” in the Tyrolian setting. He shouts up to Wally, but the noise of his call sets off an avalanche which carries him away. Hagenbach is persuaded to accept a challenge to try to win a kiss from Wally. He shouts up to Wally, but the noise of his call sets off an avalanche which carries him away. Operas | She herself goes down a rope to rescue him and successfully raises his unconscious body back to the surface. He makes a wager with his friends that he will succeed in stealing a kiss from the proud Wally, who falls into the trap by allowing herself to be wooed and kissed. La Wally returns to her home. The story is set in the Austrian Tyrol where the free-spirited but vulnerable Wally is in love with the handsome Giuseppe Hagenbach, the son of her father's implacable enemy. Composers | She sends him away and contemplates her imminent death. Vincenzo Gellner has his own heart set on Wally and is quick to notice that during the quarrel she is clearly infatuated with her father's enemy. Singers | Wally retorts that she would rather take her chances in the Alpine snows than marry Gellner.

Ne andrò lontana" ("Well, then? Around 1800, in a Tyrolian village, a tavern proprietor, Stromminger, Wally’s father, is celebrating his 70th birthday. But the girl, who is secretly in love with Hagenbach, whose family her father despises, decides to leave her father’s home to avoid having to renounce her love. She turns to Gellner, who is also at the festival, and insists that if he loves her he must kill Hagenbach. They dance together, and the flustered girl lets herself be seduced and kissed. Encouraged by the villagers, he sings them the “Song of the Edelweiss” about a girl who climbed the mountain and perished beneath an avalanche to be reborn as a flower. A shooting contest is being held in celebration of the 70th birthday of Wally's father, Stromminger. The mortified girl offers herself to Gellner on the condition that he avenge this affront by killing her offender. The opera features a memorable operatic death in which the heroine throws herself into an avalanche. The old man then decides to give Wally’s hand to Gellner, but she prefers to leave her father's house rather than obey her father’s orders. Wally is horrified and hurries to the ravine in the hope of saving Hagenbach, even though she believes he loves Afra. She turns to Gellner, who is also at the festival, and insists that if he loves her he must kill Hagenbach. Wally is evocative of Minnie from Puccini’s La Fanciulla del West because she’s pure, pretty tough and all the men in town are in love with her. His enthusiastic admiration led him to name his first daughter Wally. In it we can recognise the silhouette of Massenet’s Werther, which debuted the month before La Wally premiered. Recognising that Gellner is in love with his daughter, he insists that Wally agrees to marry him within a month or else leave his house forever. American soprano Wilhelmenia Fernandez sang this aria in Jean-Jacques Beineix's 1981 movie Diva – a performance at the heart of the thriller. However, Hagenbach has become engaged to Afra, the landlady of the Eagle Tavern, and is apparently not interested in Wally. La Wally returns to her home. La Wally is a four-act opera by Alfredo Catalani, composed on a libretto by Luigi Illica, and first performed at La Scala, Milan on 20 January 1892. What begins as a game quickly develops into something more serious, and Hagenbach easily wins his wager. A party is held in the village of Sölden, where the innkeeper, Afra, is engaged to Hagenbach. Wally manages to rescue Hagenbach, who finally shares her love. The libretto is based on a hugely successful Heimatroman by Wilhelmine von Hillern (1836–1916), Die Geier-Wally [de], Eine Geschichte aus den Tyroler Alpen (The Vulture Wally: A Story from the Tyrolean Alps). Von Hillern's piece was originally serialized in Deutsche Rundschau, and was reproduced in English as "A German Peasant Romance",[1] in the Cornhill Magazine in July 1875. La Wally Alfredo Catalani was the great operatic hope which never materialised.

I'll go far away," act 1, sung when Wally decides to leave her home forever). Arias | The lush, Wagnerian-influenced orchestral colour enhanced the Italian development of expressive singing, with an expressiveness that immediately charmed audiences and is the main secret of its success with the public. Ne andrò lontana) used by Jean-Jacques Beineix in his film, Diva (1981). He dazzles his audience with the story of his hunting exploits, which irritates and then angers Stromminger, his father’s old enemy. Wally hears another voice. A hunting party arrives from the nearby village of Sölden led by Hagenbach. Wally, who has attended the ball so she can see Hagenbach again, takes umbrage at his fiancée, against whom she unleashes a torrent of abuse. When Wally realises she has been the victim of a cynical bet, her jealousy and fury boil over. When left alone with Stromminger, he tells the old man of his suspicions. A year has passed; Stromminger has died and Wally has inherited his fortune. Old enmities quickly surface and a quarrel develops between Stromminger and Hagenbach, who trade threats and insults before Hagenbach is drawn away by his companions. When left alone with Stromminger, he tells the old man of his suspicions. A boy, Walter, comes in and asks where he can find Stromminger’s daughter, Wally. Vincenzo Gellner has his own heart set on Wally and is quick to notice that during the quarrel she is clearly infatuated with her father's enemy. Catalani had composed this aria independently as Chanson Groënlandaise in 1878 and later incorporated it into his opera. Search | It is Hagenbach, who has recovered from his injuries and come to confess his love. Stromminger congratulates him on his skill. Contact The opera is best known for its aria "Ebben? International Music Score Library Project, Libretto in Italian at Libretti d'Opera website, Libretto in Italian with Spanish translation, https://en.wikipedia.org/w/index.php?title=La_Wally&oldid=980362969, Short description is different from Wikidata, Articles containing Italian-language text, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License.

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