philly college radio

She says that most women: were helping put on shows or working at clubs, but I think for the most part back then, girls, females were participants in the crowd and just in the scene at the shows. I never really looked at it from a gender lens. This sort of invisible labor characterizes the performance of femininity as caretaker and nurturer. In the HIRS (pronounced like “hears”) song “TRANS WØMAN DIES ØF ØLD AGE”, the trans female vocalist addresses the trauma of identity formation: the fourth strategy of female rebellion. Search results are sorted by a combination of factors to give you a set of choices in response to your search criteria.

This way it's more easily ignored for those who just want to talk about day-to … . Erie - Gannon University Radio 90.5 WERG - Alternative/Rock - Contact, Greencastle - Mudcat Country Radio - Country - Contact, Grove City - Grove City College Radio 91.1 WSAJ - Contact, Harrisburg - 94.9 BOB - Country - Contact, Harrisburg - 105.7 The X Rocks - Rock - Contact, Harrisburg - KISS 99.3 - Adult Contemporary - Contact, Harrisburg - OshRadio.com online radio - Contact Unknown, Harrisburg - WINK 104 - Pop, Top 40 - Contact, Harrisburg - Nash FM 106.7 - Country - Contact, Lancaster - I 105 WIOV - Country - Contact, Lewisburg - Bucknell University Radio 90.5 WVBU - Alternative - Contact, Mansfield - Mansfield University Radio 89.5 WNTE - Contact, Millersville/Lancaster - Millersville University Radio 91.7 WIXQ - Contact, Philadelphia - 93.3 WMMR - Rock - Contact, Philadelphia - 105.3 WDAS - Hip Hop and R&B - Contact, Philadelphia - Alt 104.5 - Alternative/Rock - Contact, Philadelphia - Drexel University Radio 91.7 WKDU - Contact, Philadelphia - Gashouse Radio - Variety - Contact, Philadelphia - Mix 106.1 - Adult Contemporary - Contact, Philadelphia - Power 99 - Hip Hop and R&B - Contact, Philadelphia - University of Pennsylvania Radio 88.5 WXPN - Free Format - Contact, Philadelphia - WDDF Radio - Rock - Contact, Pittsburgh - 91.3 FM WYEP - Free Format - Contact, Pittsburgh - 105.9 The X - Alternative - Contact, Pittsburgh - Carnegie Mellon University Radio 88.3 WRCT - Contact, Pittsburgh - Point Park University Radio WPPJ - Contact, Pittsburgh - University of Pittsburgh Radio 92.1 WPTS - Contact, Reading - FM 97 WLAN - Adult Contemporary - Contact, Schnecksville - Lehigh Carbon Community College Radio 90.3 WXLV - Contact. YP, the YP logo and all other YP marks contained herein are trademarks of YP LLC and/or YP affiliated companies. All rights reserved.

In 1978, Lee Paris’s radio show, Yesterday’s Now Music Today, was added the station’s lineup. Philadelphia often gets overlooked in many respects because it is geographically sandwiched between the larger metropolitan areas of New York City and Washington, D.C. Philly’s punk scene is no exception to this neglect.

2) Feminine infusion — i.e., rather than just masculine imitation, female punks demonstrate an equal but different feminine/ist approach . While New York had the more experimental art punk scene of the ’70s and D.C. exploded with quintessential East-Coast hardcore punk bands like Bad Brains and Minor Threat, Philadelphia was also fomenting its own little-known but formidable punk scene. Stacey Finney spoke on Loud! Philly! The female vocalist is not arguing for the use of masculine violence against a feminist cause, but rather a completely reinterpreting what it means to fight in a feminine sense. The band Pure Hell (known as the world’s first all-Black punk band) helped to establish Philadelphia’s punk roots in the early 1970s, and by the latter half of the decade, punk had taken hold in Philadelphia in the form of hardcore. Over the course of his eight-year term, the city was heavily divided across racial and political lines and slid into an economic slump. All other marks contained herein are the property of their respective owners.

In this song, fighting “like a girl” means finding a community, fighting for people and principles, picking battles, and never giving up on the chosen battles. Wild Women of Wongo and The Heathens were also her creations. And fight like a girl. Eddie “Hacksaw” Richard. One day this month, 30 years ago, John Simon Ritchie, otherwise known as Sid…, Last Halloween, my husband opened our closet door and reached for the topmost shelf where…, When historians compile lists of the stuff that helped make America America, they don’t even…. . i will stay alive. Furthermore, performativity contains a central tension or paradox, in that the performance of gender creates the very means by which gender norms can be subverted (what Butler refers to as “performative subversions”).

Fight like a girl If you’re that interested in the subject, it’ll be worth it. And if these aren't enough, don't forget that Indie on the Move provides additional state by state and city by city listings for radio stations and contacts HERE. Rizzo wasn’t a professional politician; he was sworn in after a 1971 election which was tinged with racism and defied all voting norms. 3) Masquerade and the subversion of gender identity (think Annie Lennox) Or, as Finney puts it simply: “I just did not have that awareness . Punk had learned the art of defiance from ’60s mod and garage bands whose songs aggressively targeted women. Women’s involvement in the early days of Philadelphia’s hardcore punk scene might best be described as “invisible labor.” Those involved in the scene are quick to point out that it is a misconception to think of Philly’s early punk scene as somehow devoid of, or hostile to, women.

About Search Results. I was in (the Axidentals) at the time with Anita Fix. Learn more about PHC >>, How Alanis Morissette and Liz Phair got me through adolescent sexual assault, The story and specter of Joy Division’s last and greatest composition, a series of photographs taken by Pier Nicola D’Amico. Jake Blumgart of Philadelphia Magazine outlined the parallels between the era of Frank Rizzo and our current national political climate. 4) Focus not on identity but process — i.e., an approach that does not take identity as given, but exposes the trauma of identity formation. The college is a part of the Drexel University that was founded in 1891…. Please contact the business for updated hours/services due to the COVID-19 advisory. 4. Gervasi asks her how it felt to be a woman involved in the hardcore scene, and Finney responds that she was one of the few at the time who was actually in a band. Philly. Putting women on the stage and behind the microphone allows for women’s perspectives and not just their labor to be an integral part of the modern Philadelphia punk scene. Please help others by helping us do better. Performativity comes from the work of pioneering gender theorist Judith Butler, and, as Butler defines it, it is the constellation of actions that produce the effect of a stable and natural gendered identity. While women have been involved throughout the history of punk in the city, these two changes gave them a more visible presence in the scene. The question remains: Can punk ever achieve that kind of radicalization when it is at one and the same time a form of/for disruption and of/for normalization/cooptation/appropriation? The inconsistent, and sometimes contradictory, nature of women in punk can be best described by music critics Simon Reynolds and Joy Press: “Instead of clearly defined trajectories . Kevin Egan is the director of the Center for Interdisciplinary Inquiry in the Pennoni Honors College at Drexel University. }, the smart set is an online magazine covering culture and ideas, arts and science, global and national affairs- everything from literature to shopping, medicine to sports, philosophy to food.

I grew up ‘girls can do anything boys can, so fuck you.’”. YP advertisers receive higher placement in the default ordering of search results and may appear in sponsored listings on the top, side, or bottom of the search results page. But at the time, that sentiment created the perfect atmosphere for punk to trickle down from New York City and find a solid foothold. Save my name, email, and website in this browser for the next time I comment. Again, performativity helps capture the ways in which strategies of gender subversion are appropriated and redeployed in punk as an imaginative space in which to play. From Philadelphia's Radio 104.5 to Carnegie Mellon University Radio, find everything you need for additional radio promotion and exposure in the state of Pennsylvania. But this is not necessarily a new formation for Philly punk; the “institutions” of Philadelphia punk — show houses, basements, clubs, and radio stations — have been testing grounds for new and more progressive identity politics, which themselves have been reflections of broader social movements that account for feminist and queer perspectives, for decades.

Fast! Looking at the broader landscape of punk today, it is not hard to see the legacy of early female punk bands, like the Slits or the more recent Riot Grrrl movement. YP - The Real Yellow PagesSM - helps you find the right local businesses to meet your specific needs. Top Sender. © 2020 Indie on the Move. BAYERN 3. . These and other changes bring us to the modern day Philadelphia punk scene, which more self-consciously takes on women, femininity, and women’s issues. Press and Reynolds refer to this as “racial envy,” and argue that punk has been moving towards gender tourism, defined as an imaginative space to “play” with gender. 5. Two major causes of this shift are women taking to the stage and the mic and women’s issues entering the consciousness of mainstream society. Punk, then, embodies many types of tensions, particularly in relation to gender identity: capable of liberation and subjugation; embracing femininity while valorizing masculinity; grounded in resistance and transgression while always running the risk of cooptation; subversive yet exerting its own normalizing forces. I met a girl there - Contact information is available at the bottom of the page. Such tensions play out in the punk music scene as well, particularly when it comes to gender identity. At this stage of Philly punk, it would be challenging to map the involvement of women directly onto the typology developed by Press and Reynolds.

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