Sometimes, instead of drawings, a number of special processes are used to produce special effects in animated films; rain, for example, has been created in Disney animated films since the late-1930s by filming slow-motion footage of water in front of a black background, with the resulting film superimposed over the animation.

The current process, termed "digital ink and paint," is the same as traditional ink and paint until after the animation drawings are completed; instead of being transferred to cels, the animators' drawings are scanned into a computer, where they are colored and processed using one or more of a variety of software packages. The Yogi Bear Show (1961 show) Premiered: January 30th, 1961 Episodes: 33 Directed by: William Hanna, Joseph Barbera Produced by: William Hanna, Joseph Barbera Production by: Hanna-Barbera Productions The Yogi Bear Show is the first incarnation of the picnic basket stealing forest bear named Yogi Bear. The loop is created so that, when the sequence repeats, the motion is seamless. [2] A peg bar is an animation tool used in traditional (cel) animation to keep the drawings in place. These backgrounds are generally done in gouache or acrylic paint, although some animated productions have used backgrounds done in watercolor or oil paint. The Black Cauldron (1985 film) Premiered: July 24, 1985 Length: 80 minutes Directed by: Ted Berman, Richard Rich Produced by: Joe Hale, Ron Miller Distributed by: Walt Disney Productions Walt Disney's 25th film, The Black Cauldron is inspired by two books in Lloyd Alexander's The Chronicles of Prydain.

Dragon's Lair (1983 game) Premiered: June 19, 1983 Platform: Arcade, various Designed by: Don Bluth Published by: Cinematronics Developed by: Advanced Microcomputer Systems Dragon's Lair was Designed by Don Bluth in 1983 for arcades. Job Connections, Help and FAQ The methods mentioned above describe the techniques of an animation process that originally depended on cels in its final stages, but painted cels are rare today as the computer moves into the animation studio, and the outline drawings are usually scanned into the computer and filled with digital paint instead of being transferred to cels and then colored by hand. Further frames feature new cels of the boy, but the plate does not have to be redrawn as it is not moving; the same cel of the plate can be used in each remaining frame that it is still upon the table. Make Mine Music (1946 film) Premiered: April 20, 1946 Length: 76 minutes Directed by: Jack Kinney, Clyde Geronimi, Hamilton Luske Produced by: Walt Disney Distributed by: RKO Radio Pictures Make Mine Music is an anthology of 10 animated segments. This film's animation began in the hands of Disney's Nine Old Men and ended in the hands of the next generation of animators that would lead The studio into Disney's Renaissance period. As the scenes come out of final photography, they are spliced into the Leica reel, taking the place of the pencil animation. The Goofy short How To Hook Up Your Home Theater (2007) represented Disney's first project based on the paperless technology available today. For short films, character layouts are often the responsibility of the director. Traditional animation usually refers to animation hand-drawn on paper.

The clean-up animators take the lead and assistant animators' drawings and trace them onto a new sheet of paper, making sure to include all of the details present on the original model sheets, so that the film maintains a cohesiveness and consistency in art style. Prior to this, the series adopted digital animation solely for its opening credits in 2009, but retained the use of traditional cels for the main content of each episode.

Traditionally-animated productions, just like other forms of animation, usually begin life as a storyboard, which is a script of sorts written with images as well as words, similar to a giant comic strip. Bambi (1942 film) Premiered: August 13, 1942 Length: 70 minutes Directed by: David Hand (Supervising Director) Produced by: Walt Disney Distributed by: RKO Radio Pictures Originally planned as Disney’s second animated film, the production of Bambi was delayed because of challenges animating the deer and the dark content of the story, making it Walt Disney’s fifth animated film. Such cameras were massive mechanical affairs which might weigh close to a ton and take hours to break down or set up. The key animator draws enough of the frames to get across the major points of the action; in a sequence of a character jumping across a gap, the key animator may draw a frame of the character as he is about to leap, two or more frames as the character is flying through the air, and the frame for the character landing on the other side of the gap. Lady and the Tramp (1955 film) Premiered: June 22nd, 1955 Length: 75 minutes Directed by: Clyde Geronimi, Wilfred Jackson, Hamilton Luske Produced by: Walt Disney Distributed by: Buena Vista Distribution Lady and the Tramp is Walt Disney's 15th animated feature film.

The cel paints were actually manufactured in shaded versions of each color to compensate for the extra layer of cel added between the image and the camera; in this example, the still plate would be painted slightly brighter to compensate for being moved one layer down. The Aristocats (1970 film) Premiered: December 24th, 1970 Length: 78 minutes Directed by: Wolfgang Reitherman Produced by: Winston Hibler, Wolfgang Reitherman Distributed by: DreamWorks Pictures The 20th Walt Disney animated feature, The Aristocats, is based on a story by Tom McGowan and Tom Rowe. Displayed here are Job Ads that match your query. Related to rotoscoping are the methods of vectorizing live-action footage, in order to achieve a very graphical look, like in Richard Linklater's film A Scanner Darkly. Some of the advantages are the possibility and potential of controlling the size of the drawings while working on them, drawing directly on a multiplane background and eliminating the need of photographing line tests and scanning. It was the first animated feature filmed in the CinemaScope widescreen film process. [21] It is also common in anime, where fluidity is sacrificed in lieu of a shift towards complexity in the designs and shading (in contrast with the more functional and optimized designs in the western tradition); even high-budget theatrical features such as Studio Ghibli's employ the full range: from smooth animation "on ones" in selected shots (usually quick action accents) to common animation "on threes" for regular dialogue and slow-paced shots.

Home on The Range (2004 film) Premiered: April 2nd, 2004 Length: 76 minutes Directed by: Will Fin, John Sanford Produced by: Alice Dewey Distributed by: Buena Vista Pictures Walt Disney's 45th animated film, Home on The Range was the last film to use the Computer Animation Production System.

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