the world at large songmeanings

The band's supposed final album, Half Smiles of the Decomposed, was released the following August, and the resulting farewell tour concluded with a New Year's Eve show in Chicago. Alien Lanes was greeted with positive reviews upon its March release, and the group embarked on its first full-scale American tour. If the world's at large, why should I remain?

Fine, then Uh oh, overflow, population, common food But it'll do Save yourself, serve yourself World serves its own needs, listen to your heart bleed Dummy with the rapture and the revered and the right Right You vitriolic, patriotic, slam, fight, bright light Feeling pretty psyched It's the end of the world as we know it It's the end of the world as we know it It's the end of the world as we know it, and I feel fine Six o'clock, TV … Pollard, however, allowed fans of his older work to revel in his lo-fi period with Suitcase: Failed Experiments & Trashed Aircraft, a four-disc box set featuring 100 unreleased songs recorded over the space of 25 years. There was another box set of unreleased material, this one entitled Suitcase 2: American Superdream Wow, and the 1992 album Propeller was reissued. In 2010, Pollard assembled what he called a "classic lineup" of 1990's GBV veterans (including Tobin Sprout, Mitch Mitchell, Kevin Fennell, and Greg Demos) to play a show at the Matador Records 21st anniversary festival. I think the two sentiments in each song are connected. The band rarely performed, and a wide array of musicians appeared on the group's albums -- according to some estimations, nearly 40 musicians passed through the band during its first decade. I move on to another day, to a whole new town with a … While GBV's second album for TVT, 2001's polished and hard-rocking Isolation Drills, received strong reviews, the band hadn't expanded its fan base far beyond its loyal cult, and in 2002 GBV returned to Matador with Universal Truths and Cycles, as well as a number of side projects released through Pollard's reactivated Rockathon label. Schoolteacher Robert Pollard formed Guided by Voices in the early '80s. It’s super easy, we promise! In 1999, Guided by Voices left Matador to sign with TVT Records, which paired the band with producer Ric Ocasek in hopes of giving GBV's label debut, Do the Collapse, a more radio-friendly sound. The guitar part in the chorus of Float On is played on a loop in this song at a slower speed.

Log in to add lyrics, add aliases, add genres, follow this artist & more. Don’t have an account? Even broken up, 2005 was a busy year for GBV. By the release of 1995's Alien Lanes, GBV had joined Matador's official roster; their contract with Scat was completed with the spring release of Box, a five-disc box set containing the band's pre-Propeller albums.

Self-Inflicted Aerial Nostalgia was released on Halo in 1989 and Same Place the Fly Got Smashed appeared on Rocket #9 Records in 1990. Prior to 1993's Vampire on Titus, all of Guided by Voices' records were essentially interchangeable musically, and none were widely available. Guided by Voices released their first full-length album, Devil Between My Toes, on their own G Records in 1987; it was followed several months later by Sandbox, which appeared on Halo.

To add to the accumulation of GBV material, a live album, Live from Austin TX, was released in 2007, showcasing a performance recorded in November 2004 for the PBS series Austin City Limits during the band's farewell tour. Log in now to tell us what you think this song means.

... one of the best pop songs i've ever heard (the alien lanes version is superior to the slickly produced one, as well)... Cyclone Utilities (Remember Your Birthday), Everybody Thinks I'm A Raincloud (When I'm Not Looking), Feathering Clueless (The Exotic Freebird), Mannequin's Complaint (wax Dummy Meltdown), Send to Celeste (And the Cosmic Athletes), Shrine to the Dynamic Years (Athens Time Change Riots), The Goldheart Mountaintop Queen Directory, Tour Guide At The Winston Churchill Memorial, When We All Hold Hands at the End of the World, Wrong Drama Addiction (...and Life Starts Here...). Pollard signed with Chapel Hill's Merge Records and announced plans for a 2006 solo album.

Making up for lost time, a second new album, Class Clown Spots a UFO, arrived in June of the same year, with a third, The Bears for Lunch, following before the year was out. After recording six self-released albums between 1986 and 1992, the Dayton, Ohio-based band attracted a handful of fans within the American indie rock underground. The reunited band soldiered on in 2013 and dropped its fourth album, English Little League, right on schedule in May, followed shortly by the six-song EP Down by the Racetrack. By the spring of 1994, Scat had entered a national distribution deal with Matador Records. That fall, Pollard and Tobin Sprout both released solo albums on the same day; the records were quickly followed by an album-length EP a month after their release. After a public falling out with drummer Kevin Fennell -- who was asked to leave the band in October 2013 following a curious incident in which he attempted to sell his drum kit online for $55,000 -- frontman Pollard announced that the group would release its 21st album, Motivational Jumpsuit, with Kevin March behind the drums. Vampire on Titus was the first album the band released on the Cleveland-based indie label Scat, and the wider distribution meant the record was heard by a larger audience.

Guided by Voices didn't become a full-fledged band until guitarist Tobin Sprout and bassist Dan Toohey joined the group in 1985. Bee Thousand was the first album released under the deal, and it became a surprise word-of-mouth hit, earning positive reviews from mainstream publications like Rolling Stone and Entertainment Weekly. Guided by Voices added Mitch Mitchell (rhythm guitar) and Kevin Fennell (drums) around the time of Propeller (1992), which was released on Rockathon Records. Despite all of the attention, the bandmembers never changed their aesthetic, continuing to record their albums on cheap four-track tape decks and thereby limit their potential audience, yet that devotion to lo-fi indie rock helped Guided by Voices maintain a sizable cult during the late '90s. Non-lyrical content copyright 1999-2020 SongMeanings, Javascript must be enabled for the correct page display. During the '80s, Pollard was frequently joined by his brother Jim, who continued to write songs for the group even after his departure in the late '80s. Pollard had quit teaching shortly before the spring release of Bee Thousand, and the group toured heavily behind the album, appearing on the second stage at several Lollapalooza dates. Cindy, it's over Although it never started I thought I'd better tell you It's over, girl, it's over Cindy, I love you But we can't be together Maybe in the future You'll love me, girl, you'll love me The New Street train at platform 8 Don't be late when our time comes Until then it's bon voyage The world at large, alone Cindy, so sadly Replaces the receiver Gets ice out of the freezer Makes a drink and drinks it Champagne, …

With the 1994 release of Bee Thousand, the group became an unexpected alternative rock sensation, winning positive reviews throughout the mainstream music press and signing a larger distribution deal with Matador Records.

Lyrics. Throughout the group's history, Pollard was at the center, writing the majority of the songs and leading each incarnation of the band. Demos left the band in late 1994 to study law and was replaced by music journalist Jim Greer. As the solo albums indicated, Pollard and Sprout had had a falling out during the group's extensive tour earlier that year, which resulted in Pollard firing the rest of the group.

Maybe he's a drifter and he's not sure what he wants, but deep down he knows everything will be alright. In the spring of 2004, Pollard startled his fans with the announcement that he would be breaking up Guided by Voices later that year.

Greer left the band before the recording of Under the Bushes Under the Stars, which was released in the spring of 1996. Create an account with SongMeanings to post comments, submit lyrics, and more. They continued their resurgence with Cool Planet, scheduled for release just months after Motivational Jumpsuit appeared, after recording 18 tracks during the freezing "polar vortex" weather system that swept through America that winter. Nearly all of the Guided by Voices albums before Vampire on Titus were recorded in Steve Wilbur's eight-track studio in his home garage; Wilbur occasionally played guitar and bass on the records.

"End Of The World" as written by Michael E. Mills John Michael Stipe, Lyrics © Universal Music Publishing Group. They even have the same chords. At the end of 1996, Pollard recorded the next Guided by Voices record, Mag Earwhig!, supported by the Cleveland garage punk band Cobra Verde. The album saw release in February 2014. Walked away to another plan. Gonna find another place, maybe one I can stand. Guided by Voices Lyrics, Songs, Albums And More at SongMeanings! The show was well received, and the lineup proceeded to tour again; in 2011, Pollard announced they were working on new material. Soon, the group had won fans like fellow Dayton native Kim Deal (Pixies, Breeders) and Sonic Youth's Thurston Moore. The following year, GBV released their first new album in eight years, Let's Go Eat the Factory. Rock critic and former bandmember Jim Greer authored the book Guided by Voices: A Brief History: Twenty-One Years of Hunting Accidents in the Forests of Rock and Roll.

By the fall, GBV's video for "I Am a Scientist" was aired a handful of times on MTV. During the latter half of the '80s, Guided by Voices was essentially a hobby.

Inspired equally by jangle pop and arty post-punk, Guided by Voices created a series of trebly, hissy indie rock records filled with infectiously brief pop songs that fell somewhere between the British Invasion and prog rock. The World At Large literally flows right into Float On. Inspired equally by jangle pop and arty post-punk, Guided by Voices created a series of trebly, hissy indie rock records filled with infectiously brief pop songs that fell somewhere between the British Invasion and prog Later in 1993, the band began playing live for the first time in several years, with Greg Demos replacing bassist Toohey. A year later, the group released an EP, Forever Since Breakfast, on the local indie I Wanna Records.

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