© 2020 Time Out America LLC and affiliated companies owned by Time Out Group Plc. is composed of the reflections of Polish survivors, bystanders and, most uneasily, the perpetrators. . Simple hook: Fourteen British schoolchildren would be interviewed every seven years, well into adulthood. Powerful documentary explores race, art, and activism. Time Out is a registered trademark of Time Out America LLC. All rights reserved. Beneath Clouds (2002)

When he's not frowning at Australia's slack attitude towards film and film-making, he's attempting to crack into the prestigious business of show, by making amateur comedies with his friends.

Alex is a 24 year-old West Australian who has a slight obsession with film. Age Before Beauty cleverly identified an issue that has since become familiar territory for most women in the western world. Great production value.

Reviewed in the United States on October 1, 2017. He'd pushed the nonfiction form into bold, exciting territory: Once he'd crossed that line, a legion of other filmmakers followed. And if a documentary can do this, it's special.

The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth.

Premiering less than a year after the Tet Offensive, Emile de Antonio's scathing indictment of the Vietnam War excels at using the contradictory statements of the military brass, troops and politicians against them. Something was indeed brewing; Pennebaker lets us see the pot being stirred. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Activist combats racism, sexism, and powerful enemies. Alex is a 24 year-old West Australian who has a…. Premiering less than a year after the Tet Offensive, Emile de Antonio's scathing indictment of the Vietnam War excels at using the contradictory statements of the military brass, troops and politicians against them. Last modified on Mon 21 Oct 2019 10.58 BST.

For its 67th edition, The Sydney Film Festival has returned this year not unchanged, but rather sharpened into something new; with the COVID-19 pandemic keeping cinemas – and the film industry at large – incapacitated, this annual 12-day theatrical celebration has deftly adapted itself within these uncertain times into the Sydney Film Festival: Virtual Edition. The capacity of Royal Australian Navy destroyers to carry and launch torpedoes in the 1930s is demonstrated here. In many ways, the musicians come off like downbeat characters in a Scorsese picture, one as potent as, 18. Other figures fighting for local community progression can be found in Ros Horin’s stirring snapshot Rosemary’s Way, which follows Multicultural Liaison Officer Rosemary Kariuki, whose relentless work to draw the isolated women of Auburn’s migrant community out of their homes and into society demonstrates a much-needed open-armed empathy and genuine concern towards those who need it the most. A Manhattan evening blooms. No other film, fictional or otherwise, more fully restores—poetically, with antic humor—our city's loss as does James Marsh's stunner. This strikingly perceptive doc is so intimate, it hurts. Meet the Beales, "Big Edie" and "Little Edie," former socialites who live in a run-down mansion with lots of cats and no running water.

The Turkish-Australian Muslim Kuranda Seyit remembers what it was like to be a migrant at school, caught between two cultures.

. were more truthful, it's because it makes us want to better understand the world, a profound achievement for cinema. 11 Gaudi’s belief that his artistic work was a form of spirituality has led some Spaniards to ask that he be canonized. Unlock access to all of Film Inquiry`s great articles.

Paul Hogan enthralls the world as Crocodile Dundee. Yet Marcel Ophls's staggering indictment of French collaboration with Nazi Germany is after an emotion far more insidious—something close to shared national shame. prev

But the filmmaker was also crafting a meta-statement about the concept of truth itself, and it treats what could have been a typical investigative film into a real-life.

Photographer Frank Hurley discusses his Antarctic exploits in his last appearance on film.

This short CSIRO documentary explains how to identify and eradicate the Argentine ant, a domestic and agricultural pest. Common Sense and other associated names and logos are trademarks of Common Sense Media, a 501(c)(3) nonprofit organization (FEIN: 41-2024986). Forty-five years later, it remains a high mark for employing vrit styles to construct something much more perverse and profound than your typical cautionary tale.

Be Dragons. The combination of big-picture history lessons and newsreel immediacy continues to inspire lefty documentarians and frontline filmmakers. One of the most cinematic documentaries in recent times, Sherpa has become a box office blockbuster (at least in terms of what is usually predicted for a documentary) and after three weeks is already one of the highest grossing Australian docs ever. These engaging history documentaries will have kids thinking about the past in a whole new way.

An unlikely box office smash, it was the highest grossing Australian documentary of all time for 19 years before it was overtaken by Bra Boys.

The soldier at its heart, Bill Neave, doesn’t often speak directly to camera, instead the audience catches him deep in thought as he recalls his experiences escaping the Japanese army and debating his personal ethics over what differentiates a kill and a murder. Big hART, a community group, allowed residents of Sydney’s Northcott public housing estate to give their own views on living there.
The special effects and dramatizations were very good, and made what could have been a dull subject a really compelling series. For over 50,000 years Aboriginal Australians meet challenges like the deadly marsupial lion. One of the Australian War Memorial’s most important films – the most accurate filmed record of the Battle of Pozières in 1916. David Elfick’s Crystal Voyager, with its 23-minute hallucinatory Pink Floyd soundtrack finale is rightly famous, but Albert Falzon’s Morning of the Earth is the one that has persevered across decades of culture. It will inspire as long as there are eyes to watch. So if we wish. Subtitled “The Wild, Untold Story of Ozploitation!”, Mark Hartley’s doc is a hyperactively collated history lesson that covers the halcyon days of Australian genre film production in the 70s and 80s; the era that saw an escalating number of horror, sci-fi, action and erotica titles being produced thanks to generous tax concessions that are treasured by lovers of all things cheap and nasty.

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